Jul 27 / François Normandeau

Remake

At fifteen I crossed the water to Cuba with a girl and no one's permission. People have called that the beginning of a free spirit. It was not. It was a child fleeing a house that had already taught him the only lesson it had to give. My father sold that house out from under us, kept the money, and left for Switzerland with another woman. My mother stayed, but her own ground was never steady; some years the darkness in her nearly won. My sister, older than me, was cruel or absent. So before I could choose anything, I learned that a home can be sold while you sleep, that the people meant to hold the walls up leave or sink or turn, and that the only safety left is to be the one who goes first.

I never wanted to be a wanderer. I would have given all of it, the nine languages, the countries, the reinventions, for a single loving home that held. The wanderer was not my nature. He was my wound, dressed up over decades until he looked like freedom. He has been broken and patched more times than he can count.

And I never wanted to be a builder. I built a house once, over ten years, one story into three, with my own hands. It was not my dream. It was Lea's. She was twenty years older, she had given me footing when I had none, and I owed her, and a house was everything to who she was and nothing to who I was. I said yes because saying no felt like betrayal. Then I spent ten years raising someone else's need out of my own body, and slowly understood there would be no end to it, and built less and less, until what was left was resentment and distance and a wanting between us that had died. I left her in my heart, then I left in fact, to Spain, in 2016. When she got sick I came back and stayed with her until she left this realm. Both are true and neither redeems the other, and she is not here to tell her half, so I will not make her the villain of a house I never wanted either.

The real journey, the one just starting, is the crossing from the imposed to the chosen. 

The two things the world calls my greatest strengths, the crossing and the building, were never things I chose. They were things that happened to me, that I survived by becoming good at. The universe kept imposing, and I kept becoming someone I never dreamed of being. I got extraordinary at lives I did not want. My accomplishments were real and my hands were skilled and none of it began in desire. It began in necessity, in the child's arithmetic of survival, in saying yes to what I owed and fleeing what I could not bear.

The two years after Lea died, I built nothing and went nowhere. I rented a small place on an island and let the silence be as large as it wanted. It was the closest I had come to arriving, and I reached it only because grief had taken every other move away. But something woke in that stillness, quiet and untested, that I had never let speak before: the part that wanted to choose. Not to survive, not to repay, not to flee. To want something, and then dare it, and then make it real, for no reason but that I wanted it.

At fifty-five, that is what I am trying to do. The French Club, which I began in September of 2024 after giving six thousand private lessons, is the first thing I have made that no one imposed. No one sold a house over my head to force it. No debt demanded it. And still I catch the old hands at their old work, building it large, filling the mornings, making it impressive enough to be admired, and I cannot always tell whether I chose it or whether the builder simply found a cleaner disguise. That is the honest place I am writing from. Not a man who has arrived at his own life, but a man learning, late and unsure, to tell the difference between what he wants and what he merely knows how to do.

So the journey was never what I thought. It was not the wanderer's odyssey or the builder's decade of labor. Those were the life that was done to me. The real journey, the one just starting, is the crossing from the imposed to the chosen. And I do not get to tell you I have made it, because I have not. I am still in the middle of finding out what I would build if survival and debt and fear were not the ones holding the tools. That is the question I go to sleep inside. Not more strength. I have more than enough strength, all of it earned the hard way, none of it asked for. The thing I do not yet have is the plain freedom to know what my life is for, and I am no longer certain that freedom is something you arrive at. It may be something you practice, and fail at, and practice again.

I am not writing this because I found the answer. I am writing it because I finally asked the question, and I spent fifty years not asking it. If there is anything here for you, it is not my life, which is mine and strange and not yours to want. It is only the question, which belongs to everyone. Underneath everything that was ever imposed on you, everything you became because you had to, everything you got good at without ever choosing it, is there something you actually want. Most of what we are, we became by necessity. But maybe not all of it. And the part that is not, the small chosen thing you would make for no reason but that it is yours, may be the only part that was ever truly your life. I am fifty-five and I am only now going to look for mine. That is not late enough to be hopeless. It is only late enough to stop pretending I have time to waste.
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